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Philip Galati posted an update in the group
D.C./ Maryland/ Virginia Film 10 years, 6 months ago Hey D.C./ Maryland/ Virginia Film,
If you are in need of an editor who understands all area’s of production, I am a trained director, DP, have run sound on several sets and even gaffed. I get a lot of editing work as it seems my skill set is top shelf in this area, but I’m well qualified to perform several other positions. I’ve attached some links here, I’m always looking for great people to work with on quality projects. You can check out my IMDB credits here: http://www.imdb.com/name/nm3350530/
-Phil
Work Samples and Reels
– Film Editor http://www.bluecastproductions.com/film-editor/
– Color Correction Reel http://www.bluecastproductions.com/color-correction-reel/
– 3D CGI Motion Graphics Reel http://www.bluecastproductions.com/3d-cgi-reel/
– 2D Motion Graphics Reel and Animated TV Intros http://www.bluecastproductions.com/motion-graphics/
– Director of Photography for Film http://www.bluecastproductions.com/director-of-photography-film/
– 3D CGI Film and TV Intros http://www.bluecastproductions.com/intro-samples/
– Promotional Video Samples http://www.bluecastproductions.com/promotional/Director of Photography Equipment List:
– Panasonic HVX-205a (SD, HD 720p & 1080i @ 24, 30 & 60 FPS) Camera
– Letus35 Extreme 35MM adapter with optimized achromat for Panasonic HVX-200
– Set of Canon FD mount 35MM lenses (28MM F2.8, 35MM f3.5, 50MM F1.4, 50MM F1.8, 100MM f2.8, 135MM F2.8, 70-210MM F4.5)
– CINE Follow Focus Unit
– CINE Filter kit 23 piece kit
– Manfrotto 536 CF Tripod & 519 Pro Head
– Velbon DF Mini tripod
– Sennheiser ME66k6 shotgun microphone w/Softie
– Audio-Technica ATR-25 shotgun microphone
– Embrace Video Plate Array microphone system w/Softie
– Gitzo G557 boom pole with Audio-Technica AT8415 low profile shock mount
– Nady SP-5 neodymium dynamic microphone (3)
– Audio-Technica wired lavaliere microphone
– Two Samson VT2L wireless lavaliere microphone packages (wired base station)
– XLR cables: 25′(1) 12′(3) 6′(1) 3′(2) [1/4″ and 1/8″ audio jack adapters]
– Sescom MS-3 low impedance ‘mic-combiner’
– 7 inch flat screen monitor
– Flip-Video Ultra HD 720p camera (for tight spaces or creative angles)
– Canon SX230 HS (1080p video)
– Apple Titanium G4 Powerbook (with P2 card slot) for downloading footage
– Lighting package: (3) 650W Arri-clone Fresnel
(1) 500W or 250W China Ball
(1) 500W Photo-Flood Dish light
(2) 250W Photo-Flood Dish lights
(1) 600W Smith-Victor
(1) 250W Lowell Pro-Light
(1) 150W eye light (camera or stand mountable)
(1) 150W Smith-Victor camera light with two batteries
(1) 100W 87 LED custom built light on/off camera
(1) Stellar Lighting Systems STL-Varicolor 240 Pro on/off camera
(2) 100W Florescent with Diffusion Umbrella’s
(1) High output LUMEN 2 LED 2-channel remote control battery-op
– Green screen 10′ X 20′ setup with stands
– Pop-up Green Screen 5′ X 7′ (no stands needed)
– Custom Steady Stick Rig
– Custom Basic Steady Cam Setup
– Custom portable dolly system
– Custom micro skateboard dolly
– Ewa-Marine VP-2 waterproof camera enclosure
– Stingers: (1) 50 ft., (2) 25 ft., (2) 10 ft.
– Various gels, accessories and ancillary equipment